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A teenage girl spends her vacation in Asia together with her mom and dad. There she meets another guy from France, who uses her, and she is caught by the drug police, arrested and sentenced to jail. Now her parents need to do something to release their innocent girl and punish the real criminal. Conditions in prison are very bad, the authorities are corrupted and are only interested in their money.

A staging of Jean Barbier's play "Ma femme est sortie" by Jean-Pierre Dravel et Olivier Macé.

A singer tries to get her daughter out of the grip of a guru by becoming a member of his cult herself.

Bastien du Boccage is a repeat offender: hasn't he been sent to jail no fewer than six times? But he is no ordinary criminal mind you. As a matter of fact he is a newspaper editor and should have no problems with justice. The trouble is that he has a sister, Lucrèce, who is agony aunt in his newspaper and who tends not to mince her words. To make matters worse, Francine, his daughter, has fallen in love with Bruno, a penniless student and Lucrèce is prepared to do anything to prevent her marriage..

Remi and Valentina are two angels who love each other for 2000 years. Old Balthazar does not let them meet in Paradise, so they meet in Paris. She is a Spanish rock star who gets assassinated. He works in the funeral home to which she is brought. One touch of Remi and she comes back to life, only to die again because she can't live in his absence.

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暂无英文版的简介，请添加内容帮助我们完善数据库。

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.